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Korean 83, Imported Total admissions: They are listed in the order of their release. Feathers in the Wind Sometimes small-scale, informal projects can liberate a director.
Without the pressure and weighty expectations involved in producing a major work, inspiration flows freely and the result is an even more accomplished piece of art. This may have been what happened with Git by Song Il-gon, the director of Flower IslandSpider Forestand various award-winning short films including The Picnic Git was originally commissioned as a minute segment of the digital omnibus film 1.
Alas, the festival's expectations were confounded, first in that only Lee Young-jae's work really engaged environmental issues in a direct way the other two were merely set in rural areasand second by the fact that Song went out and shot a minute film.
As an omnibus work, 1. But if Song betrayed the spirit of the omnibus project, he remained true to the needs of his film. Git centers around a film director who, in the middle of starting his next screenplay, remembers a promise he'd made ten years earlier.
While staying on a remote southern island off Jeju-do, he and his girlfriend of the time agreed to come back and meet at the same motel exactly ten years in the future. Now, years after breaking up, he returns to the small island named Biyang-do, wondering if his ex-girlfriend will remember their appointment.
It seems appropriate that Git's basic setup recalls Richard Linklater's Before Sunset, another film that stands out for the beauty and simplicity of its construction On Biyang-do, the director -- named Jang Hyun-seong, the same as the actor who portrays him -- is overpowered with both memories of the past and the beauty of the island.
As he waits, the pressures of his work life start to recede, and he becomes acquainted with the young woman who runs the motel. Named Lee So-yeon played by -- sure enough -- actress Lee So-yeon of Untold Scandalthe woman is twelve years his junior, and possesses an unusual energy and enthusiasm.
Although the general path followed by the plot is pretty straightforward, Song leads us down many odd and fascinating detours. There is So-yeon's uncle, a middle-aged man with bleached blonde hair who hasn't spoken since his wife abandoned him.
A peacock appears on the island, with no clear explanation or motivation. And the tango, a very un-Korean pasttime, makes a striking appearance in the film.
In Song's other works, such elements sometimes feel forced or self-consciously arty, but here they blend with the otherworldly presence of the island and add a sense of mystery. Git which means either a triangular flag or "feather" in Korean is surprising in several respects.
One is that such a low-budget film looks so good visually. In Flower Island, Song showed an unusual talent for the aesthetics of digital cinema, but here he takes it one step further. To capture a natural setting so well on a medium that often feels cold and sterile is an unusual accomplishment.
The relaxed, convincing performances of the actors also deserve notice. Lee So-yeon makes her slightly thin character memorable through considerable screen presence, while Jang Hyun-seong of independent films Nabi and Rewind gives the performance of his career.
Whatever we feel about the character he portrays, Jang's performance is so real and natural that we can't help but be drawn to him.
In a year that has been lacking in unexpected discoveries, Git is an exciting find. At its rousing premiere at the Green Film Festival in Seoul, a prominent Korean film critic told me it may be the best romance Korea has ever produced.
One hopes that it will be liberated from the other two segments of 1. At 70 minutes, it is a perfectly respectable length for a stand-alone feature film, and this is a movie that deserves to travel. Darcy Paquet Marathon There was a lot going on in the world of Korean film at the beginning of CNET brings you the best deals on tech gadgets every day.
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