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His early Marathi poetry was radically experimental and displayed the influences of European avant-garde trends like surrealismexpressionism and Beat generation poetry. These poems are oblique, whimsical and at the same time dark, sinister, and exceedingly funny.
Some of these characteristics can be seen in Jejuri and Kala Ghoda Poems in English, but his early Marathi poems are far more radical, dark and humorous than his English poems. His early Marathi poetry is far more audacious and takes greater liberties with language.
However, in his later Marathi poetry, the poetic language is more accessible and less radical compared to earlier works. His later works Chirimiri, Bhijki Vahi and Droan are less introverted and less nightmarish.
They show a greater social awareness and his satire becomes more direct. Bilingual poet and anthologist Vilas Sarang assigns great importance to Kolatkar's contribution to Marathi poetry, pointing to Chirimiri in particular as "a work that must give inspiration and direction to all future Marathi poets".
His Marathi poetry collections include: Arun Kolatkarcha Kavita Bhijki Vahi Sahitya Akademi awardDroan Kolatkar was among a group of post-independence bilingual poets who fused the diction of their mother tongues along with international styles to break new ground in their poetic traditions; others in this group included Gopalakrishna Adiga KannadaRaghuvir Sahay HindiDilip Chitre also MarathiSunil GangopadhyayMalay Roy Choudhury Bengalietc.
American beat poetryespecially of William Carlos Williams  had later influences on him. Along with friends like Dilip Chitrehe was caught up in the modern shift in Marathi poetry which was pioneered by B.
When asked by an interviewer who his favorite poets and writers were, he set out a large multilingual list. While the answer is part rebuff, the list is indicative of the wide, fragmented sources he may have mined, and is worth quoting in full: Brought out from a small press, it was reprinted twice in quick succession, and Pritish Nandy was quick to anthologize him in the cult collection, Strangertime.
A version of the poem A low temple was published soon in a little magazine called Dionysius, but both the original manuscript and this magazine were lost. Subsequently, the poems were recreated in the s, and were published in a literary quarterly inand the book came out in The poems evoke a series of images to highlight the ambiguities in modern-day life.
Although situated in a religious setting, they are not religious; inan interviewer asked him if he believed in God, and Kolatkar said: Although some of these poems claim to be 'English version by poet', "their Marathi originals were never committed to paper.
It was only after he was diagnosed with cancer that two volumes were brought out by friends — the English poetry volumes Kala Ghoda Poems and Sarpasatra Sarpa Satra is an 'English version' of a poem with a similar name in Bhijki Vahi. It is a typical Kolatkar narrative poem like Droan, mixing mythallegoryand contemporary history.
Although Kolatkar was never known as a social commentator, his narrative poems tend to offer a whimsical tilted commentary on social mores. Many poems in Bhijki Vahi refer to contemporary history. However, these are not politicians' comments but a poet's, and he avoids the typical Dalit - Leftist - Feminist rhetoric.
The bewilderingly heterogeneous megapolis is envisioned in various oblique and whimsical perspectives of an underdog. Like Jejuri, Kala Ghoda is also 'a place poem' exploring the myth, history, geography, and ethos of the place in a typical Kolatkaresque style.
While Jejuri can be considered as an example of searching for a belonging, which happens to be the major fixation of the previous generation of Indian poets in English, Kala Ghoda poems do not betray any anxieties and agonies of 'belonging'. The remarkable maturity of poetic vision embodied in the Kala Ghoda Poems makes it something of a milestone in Indian poetry in English.
After his death, a new edition of the hard to obtain Jejuri was published in the New York Review Books Classics series with an introduction by Amit Chaudhuri Near his death, he had also requested Arvind Krishna Mehrotra to edit some of his uncollected poems.
He was survived by his wife Soonu Kolatkar.
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Arun Balkrishna Kolatkar (Marathi: अरुण बालकृष्ण कोलटकर) (1 November – 25 September ) was a poet from Maharashtra, India. Writing in both Marathi and English, his poems found humor in many everyday matters.
His poetry had an influence on modern Marathi poets. His first book of English poetry, Jejuri, is a collection 31 poems pertaining to a. Vg wort dissertation firstrow the gleaners painting analysis essay ustad ki azmat essay improving public transportation essays an old woman arun kolatkar critical analysis essay skriv et essay om litteraturens betydningsordbogen.
KAMALA DAS, BORN IN , was arguably one of India’s finest poets in English and Malayalam. She became known to Malayali readers by her pen name, Madhavikutty, and on converting to Islam in her final years took the name of Kamala Surayya.
As a member of a landed Nair aristocracy, Das, in her writing, projected a modern, urban, bohemian .